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#Chopin music op 10 number 3 sheet music smazon code#
#Chopin music op 10 number 3 sheet music smazon series#

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#Chopin music op 10 number 3 sheet music smazon code#

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Simply enter the code GOODBYE21 in the Promo Code field on the shopping cart page and click Apply to receive your discount. In his last years, as Richter's technique declined, he found a different kind of beauty in simpler scores.Get 10% off orders of $35 or more and 15% off orders of $100 or more! In this case the choice of repertoire is telling. 10 and 25, and the performance exhibits grace and sensitivity rather than daring. These little-known pieces do not rise to the technical or imaginative level of the 24 in Opp. Number 4 also is very exciting and fast, a risky headlong rush into the piece.įor contrast, compare the Nouvelles études recorded in France in 1990. 10 number 12, its rushing passagework invested with a Lisztian grandeur. These are Richter's earliest recordings of these pieces (not counting those on film) and the most interesting. The six Études from London, 1963, are apparently all encores, as there is applause after each one. The second DOREMI disc also contains much that had never been released on LP or CD. These moody, melancholic dances are played with a bit of an edge here they are dreamy and a little sad. Music & Arts gives us as much of the recital as will fit on one disc and DOREMI supplies the missing Chopin Mazurkas.

There is more overlap between DOREMI and Music & Arts ( CD-1020), as both document the August 1976 Helsinki recital.

(And the Barcarolle on the Music & Arts disc only gets off to a bad start technically, as though the tape started just a little late.) It is complete only on Music & Arts, which has good audio quality but is somewhat noisier than the others. Unfortunately they did not release all of the recital. Orfeo has the clear advantage, as they had access to the official Salzburg Festival tapes, and their version does sound better and more realistic. All three include the Barcarolle and the Op. Material recorded in Salzburg gives us a chance to compare the sound of the DOREMI with releases from Music & Arts ( CD-1019) and Orfeo ( C491981B). While not high fidelity, it is certainly listenable. There is audible distortion in the material from Warsaw and the sound is a little more grainy and muffled than New York. There is much more effective contrast here than in his later versions. For example, number 8 is played very fast and with perfect control over the musical shape number 9, with gravity number 10, very delicately, with wonderful pianissimo arpeggios number 11, warmly and number 4 is hesitant, gentle, almost fearful. This is an amazing performance, both for the brilliant virtuosity and for the shifting moods. 28 Préludes are a completely different story. The Polonaise-Fantaisie is competent but unmemorable.

The source here is apparently a tape made by an audience member.įrom Warsaw thirteen years earlier come two very different performances. The sound quality here and in the balance of the two discs is somewhat dull, probably as a result of processing to remove noise. The playing is very fast, even rushed at times, and it is certainly not note-perfect as it would be in the later recordings, but the electricity and sense of occasion more than make up for a few slips. His Carnegie Hall appearances always displayed a high intensity and willingness to take risks that allowed him to surpass everything else he did. Ten years before the great studio and festival recordings from Munich and Salzburg, Richter brought a special magic to these performances. This really shows Richter at his best and most exciting. It is a bold move to open the set with the Scherzos from Carnegie Hall. Both feature the music of Chopin, and most of the performances are new to CD.

#Chopin music op 10 number 3 sheet music smazon series#

The second and third discs in the series entitled "Sviatoslav Richter Archives" from DOREMI are now available. 10) in Helsinki, Aug(Polonaise, Scherzo, Waltzes, Étude) in Warsaw, Novem(Préludes), and in La Roque d'Antheron, France, Janu(Nouvelles études, Impromptus). Recorded at Carnegie Hall, New York, Ap(Scherzos) in Warsaw, Novem(Polonaise) in Salzburg, Aug(Barcarolle and Waltzes) and in Helsinki, Aug(Mazurkas) Royal Festival Hall, London, Janu(Études, Op.